Manga/Anime Memorandum

random thoughts on manga and anime

MAMORU OSHII book review [fiction] Part 18, ZOMBIE DIARY

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There're some Mamoru Oshii book lists on the Internet, but they don't have detailed explanations about the contents. My Mamoru Oshii book collection is far from complete, but I'd like to write some short summaries for each of those books.

I apologize in advance for grammatical errors and misinformation.

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title: ゾンビ日記

(ZOMBIE DIARY)

release: 06/01/2012 (reprinted on 07/18/2015)

publisher: Kadokawa Haruki Corporation

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[contents]

Zombie Diary

commentary by Kazuko Mogami 

[review]

Zombie Diary is Oshii's zombie apocalypse novel. As Oshii fans already know, Oshii loves apocalyptic images. That taste originates from his delusion. When he was a high school kid, he imagined a post-apocalypse world every day on commuter trains.

In this novel, Oshii added zombies to the delusion. However, it is not just another zombie knock-off. Oshii put his philosophy about corpses and funeral-rites culture into it.

 

The story is set in post-apocalypse Japan. A weird incurable disease devastated the world, like the angel disease from Seraphim. Most people got infected with "death", so there are only "the dead" except for some rare cases. The "death" disease just randomly infects people, so there's no defense against it.

The protagonist is a nameless sniper. He shoots "the dead" every day as his daily habits. He thinks he's doing something like funeral rites. He "respectfully" shoots dead people.

While shooting the dead, he gives monologues about various topics, like sniping techniques, dance, food, weapon history, anonymousness, etc. The philosophies and sociological arguments in those monologues account for almost 95 % of the pages. It doesn't have any plot nor character development. The protagonist just shoots dead people and thinks about something.

Some people might remember Oshii's film called ".50 Woman". This novel is pretty similar to it. It is also similar to INNOCENCE because most of INNOCENCE's script is quoted from other people's books. For example, the protagonist talks about a certain dancer's philosophy about bodies and death. That's quoted from a book written by Kazuko Mogami, Oshii's elder sister.

The similarity with INNOCENCE can be seen in the argument itself as well. This novel thematizes the culture of corpses, "our view on death" in other words. Oshii put that theme into doll and dog symbols when he made INNOCENCE. In this novel, he shows it by "corpse". (We should remember that Oshii intentionally avoided showing corpses in INNOCENCE. He thinks it is generally difficult to portray corpses in anime.)

 

If you like Oshii's long and plotless dialogue scenes so much, I recommend this book to you. To be honest, I think it is one of Oshii's best novels. Come to think of it, this novel includes most of the "Oshii” elements we love, like the apocalypse, food, weapons, philosophies, and violence. It just lacks action and plot. In that kind of sense, it is one of the "purest" Oshii's works.

In recent film-essay books, Oshii often uses the term "criticism on civilization". I think it is safe to say this book is "a criticism-on-civilization in the novel form".

[edit]
The format of this book is probably inspired by Haruhiko Oyabu’s novel. Some people might know Oyabu for “The Beast To Die”. Oyabu is a famous hard-boiled novel author. Oshii loves Oyabu’s novels from his youth. In an interview, Oshii says that he was influenced by the details in Oyabu’s novels, especially by the details of food. Zombie Diary series and .50 Woman have a lot of detailed food scenes probably because they were homages to Oyabu’s novels.

 

MAMORU OSHII book review [fiction] Part 17, GIANT KILLING

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There're some Mamoru Oshii book lists on the Internet, but they don't have detailed explanations about the contents. My Mamoru Oshii book collection is far from complete, but I'd like to write some short summaries for each of those books.

I apologize in advance for grammatical errors and misinformation.

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title: 番狂わせ 警視庁警備部特殊車両二課

(Giant Killing: Tokyo Metropolitan Police Special Vehicle Section 2)

release: 01/31/2011

publisher: Kadokawa Haruki Corporation

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[contents]

prologue

Kick-off

Catenaccio

Pressing Football

Giant Killing

epilogue

 

[review]

Oshii loves football.

You might be curious why I told it. This novel contains almost nothing but Oshii's thoughts on soccer and strategy. I usually appreciate everything Oshii gives to us, but I have to say that this novel is Oshii's worst fiction I've ever seen.

The story is told from the viewpoint of SV2 third generation. Maybe some people know that third-gen SV2 members appear in the TNG Patlabor series. TNG characters are based on the characters from this novel, so you can call it a beta version of TNG.

Unlike TNG, the protagonist called Akira Izumino is a man.

 

The story is set in an international football match. An England football team called Manchester F.C. is going to play a game with a Japanese team. No, I didn't write it wrong. It is a fictional football team called "Manchester F.C.", not Manchester United. A manager called "Sir" controls "Manchester F.C." but he is not Fergie. It's super confusing, right? Manchester United does exist in this world, but they're different from Manchester F.C.

Before the game, a bomb threat against Manchester F.C. is uploaded on the Internet. SV2 members are going to guard the team on match day. The SV2 leader called Gotoda secretly sends Akira Izumino to the Japanese opponent team. Akira practices football with other professional players and tries to find out the bomber's trick.

 

The plot sounds like good crime-suspense, but most of the contents are Oshii's thoughts on football and football strategy. Oshii was thinking "How-to-win" philosophy and football in those days, so he put those materials into the novel.

If you're a super hardcore Patlabor fan, or if you want to dig in Oshii's How-to-win thing, it is recommendable to you. If you're not, you should skip it.

 

*Oshii put a reference to his Karate master's novel series. Characters from Bin Konno's "Azumi Team" appear in this novel.

MAMORU OSHII book review [fiction] Part 16, BOW-WOW MEIJI RESTORATION

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There're some Mamoru Oshii book lists on the Internet, but they don't have detailed explanations about the contents. My Mamoru Oshii book collection is far from complete, but I'd like to write some short summaries for each of those books.

I apologize in advance for grammatical errors and misinformation.

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title: ワンワン明治維新

(Bow-wow Meiji Restoration)

release: 01/01/2012

publisher: Tokuma Shoten

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[contents]

Matthew Calbraith Perry

Hanpeita Takeichi

Ryoma Sakamoto

Kaishu Katsu

Kaishu Katsu part2

Takamori Saigo

Hirobumi Ito

Toshizo Hijikata

interview with Mamoru Oshii and Tetsuya Nishio

f:id:ht1990:20201123171118j:plain [review]

This is a manga written by Oshii and drawn by Tetsuya Nishio. It started with Nishio's proposal for a TV series. He wanted to mix a traditional anthropomorphic animal anime style with historical stories. Oshii read the proposal and decided to make it into a manga.

The series format is very similar to Minipato. Oshii tells the trivia and his thoughts on historical figures from the Edo-Meiji era. It is not written nor supervised by a historian, so you should take his words with a grain of salt. It's just a fun history-nerd talk.

I honestly don't recommend this manga, but it has some good things.

The first point is a chapter about Ryoma Sakamoto. In that chapter, Oshii says that he is not interested in Ryoma at all. Ryoma is probably the most iconic person in the Meiji era, but Ryoma didn't have a big impact on the political situation. Oshii says that Ryoma was just a charming and communicative person. Ryoma gained benefits from other people's achievements. Plus, Oshii says that Ryoma had zero originality about the political policy. He just introduced some other person's idea to another person.

After showing Oshii's arguments, Tetsuya Nishio realizes an interesting thing.

Ryoma was

1. communicative person

2. who just ripped off some other person's idea

3. and gained benefits from other people's work.

That's Oshii himself. Nishio concludes that Oshii hates Ryoma just because Ryoma is very similar to Oshii himself. According to Nisho's afterword, Nishio's conclusion was well-received by fans.

 

The second point is the "how-to-win" logic in the final chapter. Oshii has constantly argued that we shouldn't rely on the losers' ethics because only winners can prove their validity. Shinsengumi was wrong because they pursued self-fulfillment without considering how to win practically. That argument partly comes from Oshii's own experience in the new-left movement.

"The theme of revolutionists is to survive and change the history."

MAMORU OSHII book review [fiction] Part 15, KERBEROS PANZER JÄGER

-----

There're some Mamoru Oshii book lists on the Internet, but they don't have detailed explanations about the contents. My Mamoru Oshii book collection is far from complete, but I'd like to write some short summaries for each of those books.

I apologize in advance for grammatical errors and misinformation.

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title: ケルベロス 鋼鉄の猟犬

(Kerberos Panzer Jäger)

release: 02/25/2010 (reprinted on 10/10/2012)

publisher: Gentosha

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[contents]

introduction

prologue: Warsaw

Berlin

Kursk

Kharkiv

Stalingrad

Memel

commentary by Masaki Yamada

 

[review]

Panzer Jäger is an origin story of Kerberos Saga. In the Panzer Cop series, Oshii set the alternate universe where Germany won in WW2, but he didn't mention how and why it happened. In this novel, Oshii shows how Germany won against the USSR in German-Soviet War.

It was originally a radio play, so there was only a not-for-sale script. In 2010, Oshii rewrote it into a novel. Unfortunately, it became the worst-selling book that Oshii ever wrote. To be completely honest, that is understandable because Oshii already threw away the decent novel format at this phase. The text is filled with non-plot-related knowledge and pedanticism. It is not recommendable as a straight entertainment novel. Plus, Oshii's motivation is to portray German-Soviet War. In other words, Kerberos Saga and protect gears are surprisingly not so relevant in this novel.

The protagonist is a Japanese-German propaganda-film director called Maki. Her uncle is Claus von Stauffenberg, who managed to assassinate Hitler in this universe. Maki decides to go to the German-Soviet war front and make a film about Hitler's ceremonial soldiers called Panzer Jäger (armored ranger)

In other words, Panzer Jäger and protect gears are Hitler's legacy in the post-Hitler era. They're just an annoying burden to the new German army, but it is difficult to just get rid of them. Due to the charismatic design of the armor, Panzer Jäger was pretty popular among German people. In German-Soviet War, the German army decides to grind them to death on the front line.

In the early part, Oshii shows how illogical and nonsensical the protect-gear is:

They knew that armored units would be the main focus in the next world war, but the preparation was too slow. In the first place, Nazi Germany was just a compromise choice of the konzern and the popularists. The connection between the Nazi and the traditional Prussia army was so weak, so they needed some instant ways of demonstrating their military power domestically and globally.

Armored units usually consist of soldiers and armored vehicles. In other words, "armored soldiers" obviously means soldiers equipped with tanks and armored vehicles. Due to the reason mentioned above, Nazi Garmany had to rely on literally 'armored' soldiers.

Even though it is a ridiculous idea, it looked useful for their purpose. It is not so surprising that nobody disagreed with the idea. Even though it is just a symbolic entity, the German people themselves needed it.

 ---

It is impossible to make bullet-proof steel into a human-size armor. Even if it was possible, soldiers couldn't bear the weight of it. Considering the mobility problem and bullet-proof capability, the modern armored soldier is just a fantasy. However, that fantasy gave a big impact on the German people.

 ---

The soft-iron shell can resist bayonet stab and splinters, but bolt-action rifle bullets or even handgun bullets can easily penetrate it. Considering the structural and weight problems, we have to say, it just weakens soldiers.

 

 

The point is that the protagonist is a film director. In the early part, Maki admits that the protect-gear is a very photogenic item. In the later part, she even confesses her love for the leader of Panzer Jäger. That part probably suggests Oshii's ambivalent attitude towards Kerberos Saga and protect gears. It is a kinda meta-fictional gimmick. (The same kind of attitude can be seen in TNG Patlabor as well. In episode 0 of TNG, Shige explains how ridiculous labors are, but he also says that he loves them.)

MAMORU OSHII book review [fiction] Part 14, SERAPHIM

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There're some Mamoru Oshii book lists on the Internet, but they don't have detailed explanations about the contents. My Mamoru Oshii book collection is far from complete, but I'd like to write some short summaries for each of those books.

I apologize in advance for grammatical errors and misinformation.

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title: セラフィム 2億6661万3336の翼

(SERAPHIM: 266613336 WINGS)

release: 12/04/2010 (revised and reprinted on 10/25/2019)

publisher: Tokuma Shoten (reprinted by Fukkan.com)

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[contents]

illustrations

prologue

chapter 1 to 10

chapter 11

chapter 12 (the creadit says "original work by Mamoru Oshii" from this chapter)

chapter 13 to 15 ("Part 2" was added to the title)

intermission

chapter 16 (the index of the magazine says "the end of part 1")

afterword by the editing team

character design sheets

interview with Mamoru Oshii (reprinted version)

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[review]

This is a manga written by Mamoru Oshii and drawn by Satoshi Kon. It was serialized on Animage. Nausicaa started from Animage and made a big hit, so the Animage staff wanted to produce the same kind of thing. They asked Oshii to write the story.

Oshii chose Satoshi Kon as a manga artist because he worked with Kon in Patlabor 2 the movie. He already knew that Kon was a skilled artist.

After several chapters, they got into a conflict, and the series was suspended forever. After Kon's death, it was collected into a one-volume book.

 

The story is set in Eurasia, 21st century. A weird disease called "Angel Plague" devastated the Earth, and many people became mindless zombies. Balthazar, Melchior, a dog called Gaspar, and a mysterious girl called Sera set out on a journey to solve the mystery of the Angel Plague.

 

There is already an official English release of this manga, so I don't have much to say about it. If you're a hardcore Oshii fan, you probably noticed that Oshii has reused many ideas from this manga. For example, G.R.M. or Garm Wars is almost a remake of this series. Plus, the same idea from Lupin III was used again.

I suppose some people also noticed that Keikaku Itoh's Harmony was heavily influenced by Seraphim.

 

It was unfortunately canceled, but it is one of Oshii's biggest projects. I want to watch the completed version of Seraphim rather than Garm Wars.

 

 

The reprinted version by Fukkan.com includes a special interview with Mamoru Oshii. It contains very important information and Oshii's honest thoughts on Kon and Seraphim.

 

*After the cancellation, Oshii and Kon cut off all contacts with each other. In fact, they signed some contracts to do that. Oshii says "We didn't like each other from the beginning."

 

*Hiroyuki Kitakubo introduced Kon to Oshii. Oshii was impressed by the accurate perspective of Kon's works, but he thought "It lacks sexiness". Kon didn't fully utilize pseudo-lens distortion.

 

*Oshii felt Kon was an unlikeable person because he trashed Jojo OVA crew at that time. He said that anime creators are so irresponsible compared to manga artists.

Oshii secretly thought "But you failed in the manga industry and came to the anime world. If you keep saying that kind of thing, people won't trust you anymore."

 

*Oshii didn't get why Kon took on the Seraphim project, but he was impressed by Kon's clever shot composition. He appreciates that Kon made gorgeous visuals without taking too much time.

 

*Oshii knew that the series wouldn't conclude because the story was too large. That was okay with him because he regarded it as preproduction for an anime project. It was Animage's project, so Oshii thought Tokuma Shoten wanted him to make some source materials of an anime.

When the interviewer asked

"I understand your intention, but did you discuss that problem with Kon-san?"

Oshii answered

"He apparently didn't know that."

The interviewer was shocked and said, "Even though the manga was on an anime magazine, it is natural that Kon-san regarded it as a standalone manga. You should have told it to him."

After some chapters, Kon got angry and said, "This is not a manga. This is just a material collection. You're rude to the manga readers." The problem was that the "material collection" was what Oshii wanted.

 

*Kon was pissed off and said, "You make up the script in one night, and I have to struggle for two weeks. This is not fair." Oshii got angry and explained how much effort he put into information gathering. Kon apologized at that time, but they broke up in the end.

Kon started to make his own story around that time, but Oshii didn't accept that. Oshii and Kon signed the contract and agreed that they need consent from both of them to release new episodes. It was supposed to be suspended forever, but the Animage staff said that they need extra pages to collect them into a book. Oshii didn't want to be bothered by the series anymore, so he allowed Kon to write the last chapter. The last part after Sera's crucifixion was not written by Oshii.

MAMORU OSHII book review [fiction] Part 13, THE GIRL OF HARAHARA TOKEI

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There're some Mamoru Oshii book lists on the Internet, but they don't have detailed explanations about the contents. My Mamoru Oshii book collection is far from complete, but I'd like to write some short summaries for each of those books.

I apologize in advance for grammatical errors and misinformation.

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title: ケルベロスX立喰師 腹腹時計の少女

(Kerberos X Tachiguishi: The Girl of Harahara Tokei)

release: 12/01/2007

publisher: Tokuma Shoten

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[contents]

Act 1

Act 2

Act 3

Act 4

Act 5

Act 6

afterword by Hiroshi Mori

afterword by Mamoru Oshii

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[review]

The Girl of Harahara Tokei is a manga written by Mamoru Oshii and drawn by Mamoru Sugiura. It is pretty difficult to explain this series. Oshii nerd level probably reaches the max in this manga, so let me explain step by step.

 

The story is set in alternate Japan. After Germany's occupation, armed police called "Special Unit" got into a political conflict with Public Security Unit.

The main character is a girl called Ogin. She appears as one of the far-left bomb mules called "Little Red Riding Hood". One day, she is captured by Special Unit soldiers. She undergoes interrogations, but she speaks nothing.

Public Security Unit takes her from Special Unit and makes her into a spy against the far-left group.

After so many missions against the left activists, she is ordered to become intimate with a Special Unit member called Ichiro. A big battle between Special Unit and Public Security Unit begins.

 

According to Oshii's afterword, his initial motivation was to portray Ogin again. Ogin is his original character from a very old anime. She first appears in Gyakuten Ippatsuman (1982). She was featured again in Urusei Yatsura (1984).

Her character was finally established in Tachiguishi Retsuden (2006). Oshii put a new-left propagandist image into her at that time. After Tachiguishi Retsuden, he got interested in her origin. He thought she was once in "Zengakuren", a far-left college students' organization.

He decided to connect that origin story with JIN-ROH. Nanami and Kei from JIN-ROH are far-left activists, so he merged those two girls and Ogin. In other words, he made a sort of reboot with Kerberos Universe and Tachiguishi Universe. I said "reboot" because Oshii himself says that this manga is a retrial of JIN-ROH. Okiura changed the script into his own story, so Oshii wanted to make another JIN-ROH.

The title, Harahara Tokei, shows Oshii's stance in the manga. Harahara Tokei is a title of a real book written by a far-left group called Okami/ "Wolf Cell". Wolf Cell is one of the so-called "non-sect radical" groups. The members bombed several buildings in the 1970s and got arrested. Before they got arrested, they released some ideological books. Those books include instructions like how to make black powder bombs. It's similar to The Anarchist Cookbook, but the political context is pretty different. There is an English Wikipedia page for the book.

Anime fans remember that the wolf symbol was important in JIN-ROH. That symbol came after the dog symbol in Kerberos Saga. Okiura requested a main heroine in JIN-ROH, so Oshii had to think of a story about a dog and a girl. The combination of a dog and a girl reminded Oshii of the little red riding hood. That’s why he changed the dog symbol to the wolf.

On the other hand, The Girl of Harahara Tokei deals with Wolf Cell/ terrorists. The wolf symbol is given to the anti-authority side, so the thesis/ antithesis are inverted. In the manga, Ogin/ the little red riding hood sometimes looks like a wolf. In the last chapter, Ogin and Ichiro are symbolized by a pair of wolves.

To me, it looks like Oshii put a symbolic game around the wolves and dogs into this manga. That's why I said it is very difficult to talk about it. Plus, it is not a straight entertainment manga. It's difficult to enjoy this manga without background knowledge. I recommend reading it after marathoning all the Kerberos saga and Tachiguishi saga.

MAMORU OSHII book review [fiction] Part 12, PAX JAPONICA

-----

There're some Mamoru Oshii book lists on the Internet, but they don't have detailed explanations about the contents. My Mamoru Oshii book collection is far from complete, but I'd like to write some short summaries for each of those books.

I apologize in advance for grammatical errors and misinformation.

-----

 

title: 雷轟 rolling thunder PAX JAPONICA

release: 04/12/2006

publisher: Enterbrain

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[contents]

novel part

Antietam, 1862

YAMATO station, 1969

afterword

essay part

TOKYO Fortification Project

PAX JAPONICA, Melancholy of the Hegemonic Power

The World of PAX JAPONICA: interview with Mamoru Oshii

commentary by Isaku Okabe

 

[review]

PAX JAPONICA is Oshii's new novel series, and Rolling Thunder is supposedly the first volume of that series.

Oshii intends to make a long saga like Kerberos. He also says that he tried to connect the Kerberos universe with the PAX JAPONICA universe, but it didn't work well. Anyway, it is an alternate history fiction series.

The story begins in the Battle of Antietam. In this universe, the CSA achieved a military victory through Robert Lee's attack on Washington. After that battle, the UK and France approved the CSA. Since the USA was divided into two countries, they didn't obtain hegemony in the 20th century.

After achieving control over Southeast Asia, Japan got into Vietnam War, like the USA did in real history. The protagonist of "Rolling Thunder" is a bomber pilot called Godo. He pilots A8M7 (a dead copy of He219A2) in the Vietnam War.

His mission is to bomb various bridges over and over. The pilots know that there are more critical targets in the enemy's land, but they're not allowed to attack those targets due to some political problems with the Soviet Union. That too is based on the real USA's history.

One day, Godo stops caring about the meaningless missions and decides to commit himself to the war more "seriously". He wants to pursue the "legitimacy of justice", not being controlled by the political games. He gets into a battle against MiG-17.

 

As I mentioned in the review of Panzer Cops Tokyo War, Oshii has been heavily influenced by Daisuke Sato. The story and the alternate history premises are so similar to one of Sato's novels. When Oshii and Sato talked with each other, Sato jokingly said that Oshii should pay a royalty of PAX JAPONICA to him. Later, Oshii said that Sato was half-serious.

 

The theme of PAX JAPONICA is Japan and the just wars. Oshii has repeatedly argued that the Japanese government and its people have avoided considering those two themes by using the peace principle as excuses. He believes that we can't think of justice and war without committing ourselves to them. And thus, current Japanese people have no right to speak about justice. We gave up the rights of our own will.

Bombers are symbols of "justice" in that kind of sense.

In the essay part, Oshii says this:

As Douhet said, only the bomber's side can control aerial bombardment, and that's the strategical merit of the bombing. Interception battle is essentially passive. It can stir people's emotions, especially Japanese people's desperate emotions. It can easily evoke catharsis. I have to admit that I too love it as an interceptor fanboy.

Needless to say, we should get over such emotions and empathy.

We need to awaken Japanese people, not intoxicating them.

In this extreme fantasy, we shouldn't become 'victims' anymore. We shouldn't enjoy the distorted images of the apocalypse. That mentality has been the toxic stabilizer of our history.

The desperate emotions and the admiration for experimental aircraft come from our defeatism.

We must kill Space Battleship Yamato's kamikaze attack spirit.

In this extreme fantasy, we should become victimizers and get over the past. I changed my stance on that theme.

I have to say, justice is not on the side of victims.

It is always the bomber's side that has to think of justice, not the victim's side.

History is written by winners. Only winners can pass the legitimacy down the generations.

Losers' history lacks legitimacy because they rely on the resentment advantage.

 

As you can see, that theme is related to Patlabor 2 the Movie. In the essay part, Oshii himself admits that he put the same theme into P2.

 

 

According to Makoto Noda's essay part, PAX JAPONICA started from a video art project. Mori Building Company asked Oshii to make a video art about the Roppongi district. Oshii made a short document called TOKYO Fortification Project and proposed it to Mori Building. Later, it was turned into two conceptual videos art called TOKYO SCANNER and TOKYO VEIN.

The video project was canceled at that time, so Oshii brought the idea into a couple of talk shows with Isaku Okabe. ("How to make TOKYO" and "Howling in the Night") Oshii explained the Fortification Project in the first show. In the second show, however, he said that the fortification doesn't work. He realized that Japan needs to own aerial bombers.

Those events happened during the production of INNOCENCE.

 

The novel itself is not recommendable to anime fans, to be honest. It is not a fun book to read without the background I explained. If you want to try it, I recommend reading the essay part first.

Anyway, it is an important step of Oshii's filmography/ bibliography.